Room Full of Crazy: In Diary, the protagonist's husband used to hide rooms in houses he worked in and write insanities on the walls before he attempted suicide.The author himself even admits that he himself is a Romantic—presumably the old Chivalric Romance. Romanticism Versus Enlightenment: His works are on the Romanticist end of the scale.Then a website was formed to visually depict such ladies and the term stuck for good. Perky Goth: He coined the term "Suicide Girl" to describe this type of woman hanging around Portland, OR.Parallel Porn Titles: Snuff includes a hurricane of them.The actual ending manages to be much more embarrassing. A lot of the book is other characters arguing about whether this result is intentional and/or inevitable. Out with a Bang: Setup for Snuff: An aging porn star is shooting a world-record gangbang and may or may not die at the end of it.The three protagonists in Snuff are named at different points theoughout the book, with one of them having been named as by his television persona before his real name is given.No Name Given: Many of his protagonists go unnamed until later in the book, often with a last named being dropped sometime before the full name.Minimalism: His whole style is based around this.Mad Artist: Diary protagonist/narrator Misty, a painter, has symptoms of instability that even predate the strain of being the wife of a coma patient trying to care for her mother-in-law and teen daughter with the family money running out.She made a musical out of her false life story. Invention Pretension: In Tell-All, Lilly Hellman loves to take credit for lots of historical achievements like saving Apollo 13, especially once anyone who was actually there has died and cannot contradict her.First-Person Smartass: Every Palahniuk narrator is this except Pygmy.Evil Feels Good: A recurring theme in his work.The crash will destroy the smaller recorder, but the surviving black box will make it appear that Tender is dead. The rest of the book is just one machine whining and bitching to another machine. The minute the fourth engine flames out, he starts the cassette talking, then bails out, into Fertility's waiting arms (she's omniscient, you know). It's just ranting, nothing important plot-wise, and it can be interrupted at any point by the destruction of the plane. Even before our hero starts to dictate his story - during the few minutes he's supposed to be taking a piss - he's actually in the bathroom dictating the last chapter into the cassette recorder. It's noted on page 7(8?) that a pile of valuable offerings has been left in the front of the passenger cabin. Palahniuk's own interpretation of Survivor's ending is fairly positive: The end of Survivor isn't nearly so complicated.Downer Ending: Virtually any book that doesn't have a bittersweet end.Case in point, Haunted, in which every character has the same tone of voice. Creator Thumbprint: Palahniuk's protagonists are almost all extremely snarky in a very similar way.Cloudcuckoolander's Minder: Hazie Coogan to Katherine Kenton in Tell-All.Buffy Speak: Occurs frequently both in speech and narrated thoughts.Bittersweet Ending: Snuff might count.Same collection also contains an angry "Intercourse a pony!" directed to noisy neighbors.Bestiality Is Depraved: "Red Sultan's Big Boy", a story from the collection "Make Something Up" about the horse of the infamous Mr.Beige Prose - Readers may find Palahniuk's terse style honest or lazy or anywhere in between.Author Appeal: Quite possibly the colors Cornflower Blue and Antifreeze Green.(Fight Club and Rant are just two examples where this crops up.) As well as "antifreeze green," at least when it comes to eye colors.All of his books have a passing reference to cornflower blue. And what might be considered an arc color.
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